Showing posts with label feminist. Show all posts
Showing posts with label feminist. Show all posts

Sunday, 8 March 2015

Rosemarie Waldrop

Rosemarie Waldrop was born in Germany in 1935 and only immigrated to the US in the 1950s. Apart from her work as a poet she is also a successful translator, novelist and editor. She married Keith Waldrop and they together began publishing the Burning Deck Magazine in the early 1960s.

Paul Hoover chose a section of “Inserting the Mirror” from her 1987 work Reproduction of Profiles. It is a prose poem which responds to and works with the philosophical texts of Ludwig Wittgenstein. Excerpts of the text can be found on the How2 website here: http://www.asu.edu/pipercwcenter/how2journal/archive/print_archive/rwinserting.html

You can also find a few of her poems on the Poetry Foundation website, together with the usual profile: http://www.poetryfoundation.org/bio/rosmarie-waldrop

I personally love her newest collection, Driven to Abstraction which was published by New Directions in 2010.

~ - ~


Wiping the mirror
After Rosmarie Waldrop

1
To explore the nature of the city I press my face to the steamy window pane and try to listen past the beats from the headphones of the girl ahead of me. In a misty city it is hard to hold on to anything. Every object fades as soon as your eyes focus. And then again some things never seem to fade - like the roar of the bus in the early morning, the heavy smell of fermentation or the silent rain. The pokes of umbrella ribs into your temples make philosophy a burden. I should know, I live with it every day.

2
We live in separate rooms but I wake up in his arms continually. Sometimes I dream of him at night. But in the morning my dreams are pushed inside by his hard reality. They quiver in his forceful grip and trickle syrupy into my steaming cup. He rolls up my mat while I am liquid, slowly slipping down the shower drain.

3
The beggar’s paper cup is filled with rain water. The coins fall into a wishing well. The ground-proximate means to keep a distance from the stars, to stay in orbit. No one ever considers the faces printed on bank notes these days. As if faces fade in the face of capitalism and anarchists wear balaclavas anyway.

4
I tried to understand the concept of patriotism by reading the Wikipedia entry on every country I could think of. Uruguay legalised gay marriage and marihuana last year. I was struck by the peculiar patterns of chaos across the planet. I remained motionless staring past the display but when I turned to face the world the connection had gone.

5
Down the deserted streets, wading through rivers, I wash way into New York City alleyways. The shadows of all those before me falling heavy on my chest. As I inhale my words are soaking. In my lungs tiny drops of water gathering.




Tuesday, 24 February 2015

Jayne Cortez

I take a bow to Jayne Cortez.

One of the central figures of the Black Art Movement, a relentless campaigner for Civil rights, a strong, outspoken African-American woman and above all an exceptional, musical poet and performer. Her poetry brought together the political, the lyrical, the surreal. In the anthology, Hoover calls her work “public and declamatory”, deeply rooted in the African-American tradition of jazz, blues and social protest.

For me it is the powerful mixture of political engagement and artistic practice which speaks to me more than anything else. Cortez once gave a summary of her understanding of her artistic work saying:
The arts are just a part of the weapons of life
Art can make us see and feel reality
and help change that reality
Art is revelation. Art is hard work
Art is a part of protest.
There it is… (http://www.jaynecortez08.com )

I definitely recommend listening to some of her poetry performances on YouTube – there is plenty to be discovered. Like this one: https://www.youtube.com/watch?v=ftrVsO4dP5o

My own dedication below.

Links:

~ - ~

For the poet (Jayne Cortez)

After today
another online petition share
newspaper blurb spoon-fed
in our follower’s mouths
not a drop trickling through the filter
bubble of complacency
singular existence of petty performers
as uniqueness builds battery cages
and we take pride in the shiny steel

After today
another 10 things we never cared about
but felt compelled because fomo stuck
as the urge contaminates our every
move towards crotch pocket
or fumbling under tables
scrolling along someone’s timeline
pixilated flat surface
in a world of gaping holes

After today
showing hashtag sympathy cutting
open scarred wounds with idle claims
of the good and the bad
black and white smugness
worn on virtual sleeves
as we catch the bus to work
blending smoothly in with the café
latte crowd of sugary froth

After today
Still waiting and waiting
and waiting and waiting
and waiting
and waiting and
waiting just
wait and always waiting
for something
to

spark
your anger
your fucking roaring vicious anger
your cry-our-loud we-will-be-heard-standing-shoulder-to-shoulder pounding anger
your voice of sharkteeth and cockroaches
your voice of the poor the damned the dead
your voice coarse with pain and fever
your thunder of poetic wrath
just like in 77

today