Paul Blackburn was a New York Poet – but then again, he wasn’t.
He spent most of his life in New York City, yet as Robert Creeley points out
his Preface to Against the Silences,
he was still strongly shaped by the experience of his Puritan New England childhood.
He was an important figure in the New York poetry scene of the 1950s and 60s,
organising readings and helping out fellow poets, yet one of his most important
influences were the Provencial poets he started studying in his 20s and which
he translated throughout his life. As a close friend to Robert Creeley he has
often been associated to the Black Mountain Poets, but he himself resisted such
categorisation. His own poetics – probably summarised best in his 1954
statement (http://jacketmagazine.com/12/blac-stat.html)
– lays a great emphasis on the sound quality of poetry. Reading it today – more
than 60 years later – I found some of his words almost prophetic, or maybe we
have just been heading in the same bloody direction for 60 years!
I recommend checking out the recordings of his readings on
Penn Sound and a whole bunch of poems on EPC.
Hackney Pandora
After Paul Blackburn
it’s not so much about
curiosity
as about finding someone
to blame for all
the dog shit
& take-away chicken
bones &
blue
off-license plastic bags
garnishing the trendy side-
walks of artisan
sourdough dreams
sweeping it all up
every morning at six thirty-five before
we catch
the over
- ground to highbury or kingsland
as if land -fill the fucking void
or congestion
charge
just like the cats
and sacks
and that weirdo schroedinger
(or so they
say ) when
singed fur smell &
skunk fills the
air
& you can’t escape it
forty hours
are never enough
in the shade of
shards &
restaurant bookies
plain payday mockery
most of us
( living) in a
box
anyway
with the mouldy bits
& three
weeks
of rent behind
so all they are concerned about
is to screw
the lid back on
screw
the lid back on
so that
fucking laughing cynic
hope remains
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